OMG! I made a sink. Part 2

So, I have taken a vacation from blogging for a while since I began the sink project months ago and I can finally reveal the results!



I waited ages for it to dry slowly to leather hard and I gently trimmed a simple foot for it and disengaged it from the plastic bat. I was leery of inverting it and supporting the weight of it by the rim so I did not carve out a nice ring foot even though there was like 1cm of material to work with. Because of this, the pot is substantially heavy. On the other hand, it's a sink so its stability is actually a good thing.

Then after it was bone dry, (again ages later) I gently brought it down to paint it with sapphire blue terra sigilatta. After letting that dry, it was fired and the glazing began. I started out with a base of Blue Satin glaze which created the yellow/mocha background and provides a seal over the whole piece as well as a hint of mottling. I poured the glaze over and in to the vessel since it was way way too large to dip. I then added chrome green, green mottled, light blue mottled, and finally ultramarine blue drips from the rim on the inside and out. After each drizzle stage I stepped back the glaze with a green abrasive pad so that the glaze would not get too thick and mar the coat. It was really important to me for this project to have a complete inner seal.

On the outside, the glaze disengaged in places leaving a dark greenish blue burnished texture that is really interesting.



The mounting plan is a simple one... A pop up drain with a wall mounted faucet. I have contacted my architect Chris about designing an infinity drain so that if the sink overflows, it will run down the edge and be caught by an external drain channel that is hidden by river rock. It's just a thought but I saw his design and it looks supercool.

OMG! I made a sink!

So I had this wild idea the other day... I am working with an architect here in Seattle on finishing my attic and one of the finishes I needed to choose was a sink for a new bathroom. After looking at some sinks and considering all the glass/metal/porcelain options... I thought, "I could probably do that." The last set of pots that I did had a really nice aquatic looking interior with a nicely repeatable set of glaze steps so I decided to try my hand at making a sink.




I first threw a nice tall (but mostly cylindrical) pot out of 14 lbs of Dove porcelain. There was not so much grog in that stuff so I had a hard time with it wanting to flop over at the rim... so I figured that I would try again with a denser clay.

I switched to 16 lbs of CKK6 (with grog) and after a marathon of centering, I pulled up a nice tall cylinder about as tall as it was wide (maybe 10" at the base?) Then I used a nice tall rib to compress and normalize the walls. Then (using an 10" board as a stupidly long rib) I gently leaned the walls out to create the bowl shape. In a week or so when it gets 'leather' hard I will trim out a drain and carve a nice looking foot to hide the pipe.

This is by far the largest thing I have ever thrown and with a little luck, it will survive the trim and make it to the kiln without getting too screwed up. I don't know... it's a pretty full class at the community center this term any anything can happen in the next two weeks. Wish me luck!

A collection of Vashon orange pots that came out great!

These 3 came out awesome. I am loving Molasses as a base color with vibrant highlights and a mottled glaze for texture. The first thing my pottery teacher said when I came in to pick these guys up was: "Can I take a photo of those?" I couldn't be happier with how they turned out. These 3 came out so good that I am considering making a sink (we're remodeling our house) and I want to glaze that sink in the fashion of these pots.

Carved Vashon orange vessel with blue green treament.

This is the final in the set of things I treated in the same fashion... as I said in the last posts...

This pot was coated on the interior with sapphire blue terra siglata. Then the rim was coated with molasses brown and the exterior was layered with tx-1 texturizer, milky brown, blue mottled, denim blue, light blue and speckled ivory. The interior has tx-2 texturizer and chrome green and green mottled. Karen carved the rim.

Carved Vashon orange vessel with blue green treament.

Karen and I gave this pot to our friends Nick and Allison as a wedding present. It seemed appropriate since Karen and I both worked on this piece and since they had their reception like 10 blocks from our house, why not have a piece made in the neighborhood?

This pot was coated on the interior with sapphire blue terra sigillata. Then the rim was coated with molasses brown and the exterior was layered with tx-1 texturizer, milky brown, blue mottled, denim blue, light blue and speckled ivory. The interior has tx-2 texturizer and chrome green and green mottled. Karen carved the squiggly line on the rim and on the waist with a small ball-point burnisher after the piece was dry but before it was fired.

I really like how the carving and the texturizer hold on to the mottling and give a feel of flowing liquid to the outer part of the piece. I also like the darkly aquatic finish on the inside... The inside is not sealed up past maybe 3 inches so, one probably shouldn't fill it to far with liquid but it would make a nice vessel for dry goods, kitchen tools, loose change, chopsticks or dried flowers... The list is endless... Like all hand crafted pottery, it could go in to the oven but thermal shock should be avoided by never putting it in to a hot oven (instead place it in a cold oven and then raise the temperature.) The finishes are all food safe but the geometry of the piece doesn't really lend itself to food service.

Ovoid Vashon orange pot with blue green treatment

This pot was coated on the interior with sapphire blue terra siglata (a paint made of fine clay and colored oxides.) Then the rim was coated with molasses brown and the exterior was layered with tx-1 texturizer, milky brown, blue mottled, denim blue, light blue and speckled ivory. The interior has tx-2 texturizer and chrome green and green mottled.

Cracked black bowl with blue green treatment.

This black clay bowl S-cracked but it was so nice that I glazed it anyway. I used tx-1 texturizer and blue mottled, light blue and molasses glazes. The crack makes it a good flower pot if I can make a plate to go under it.

Blue and green klamath buff plate.

Sadly this plate came out at little wobbly and got worse in the high fire. It's going on my wall I think.

My Second teapot, this time more awesomely

This is my second teapot that looks WAY less crappy than my first. In fact the one harsh criticism I have of this one is that I broke the spout because it got too hard before I trimmed it. Other than also having a slight dribbling problem, I think I did good.

My first teapot!

In all honesty it's a crappy little pot that is nowhere near as cool as the teapots I flubbed earlier... However, this one has a lid that fits, a handle and a spout that mostly doesn't dribble down the front. Sure it looks like an 8 year old spray painted it a little too thick after making it from cat litter but still... It's my first teapot.

Blue cabochon set in sterling silver pendant.

Oh my god, the picture does no justice to the awesomeness of this piece! I have been taking a jewelry class for the last 6 weeks and after learning soldering, cutting, polishing, and a ton of other techniques, I finally made something that blows my mind.
This piece used to be a rock and some sheet silver and a thin flat silver wire. I wrapped the wire around the stone to make a collar and then soldered it together and to the silver plate... then I cut out the plate to match the collar and added a bail that I cut from a small strip of the silver sheet. I filed and polished it for several hours and then set the stone by working the edge of the wire just over the curve of the stone. I don't think I have ever made anything so beautiful.




Side on:

A raku blob reminicient of a shiny metallic crap.

This was my first Raku piece that was fired during a community raku event (sadly the last of its kind here.) Whereas mostly the peices came out shiny and metallic, mine came out looking like a lava rock in the shape of a deuce. I like some of the metallic highlights and the "organic" geometry is interesing but it looks like a bronzed growler.

Red clay pot with carving, shadow green and blue ribbon.

This was yet another teapot that I created before I learned that you make your pot and your lid at the same time and then you don't let them dry out before thinking about a spout and a handle... These are a good start though. I threw and glazed the piece and Karen carved the squiggle... I should probably have her carve everything since it traps the highlights of the glaze so nicely!

Agateware bowl with clear gloss and blue ribbons

This is another would be teapot from when I was trying to teach myself how to make a teapot. Sadly, this one turned out super well except that I didn't know how to make a spout, lid or handle.

Agateware bowl with clear gloss and blue ribbons

This was originally going to be a teapot but I let it get to hard before attaching a spout, lid or handle... So now it's bowl with a lid gallery.

Asymmetrical fused silver ring with a ruby.

This ring was formed by fusing a 10 gauge silver wire ring at about a ring size of 8. Then I built of the table of the ring with additional pieces of 14 gauge silver. After fusing, I shaped the ring with a hammer and mandril to expand the ring diameter to size 11. I then trimmed the table with a dremel and drilled the gem setting. After running the ring through a steel-shot tumbler, I polished it and set the gem with some jewelers resin.

Fine silver fused ring with inset ruby.

WOW! I totally learned how to set a gem in the rings I have been fusing out of silver. This is actually a ring that I made a few weeks ago from two pieces of 10 gauge silver formed in to rings and then fuzed together. I hammered and polished this ring a wore it for a week until I got the courage to drill a setting and place a ruby in it. I got my gems from a PMC supply house and I selected them for thier colorfastness during firing... Ironically, my original plan involved soldering a bezel wire to this band and then crimping in the gem... Instead, I ended up affixing the gem with jewelers resin.

Black/Brown agateware bowl with blue highlights.

Black/Brown mugs with transparent glaze and blue & green highlights.

Agateware porcelain mugs

Agateware porcelain cup and saucer with ultramarine blue drizzle.

Wire wrapped briolette pendant

I wrapped copper wire through this briolette of pinapple quartz and attached it to a black leather cord.

Wire wrapped copper rings with beads

I made these rings by wrapping thick copper wire around a knitting needle and then wrapping thin wire to secure some beads.

Some lampworked glass beads and a fused silver ring.

I made these beads by melting colored glass rods with a mapp gas torch and twisting the molten glass around a coated metal mandrel. I made the ring by wrapping fine silver wire around a big knitting needle (the same size as my ring finger) and then fusing the wire in to one contiguous ring with a butane torch. To harden the ring I beat it with the ball end of a ball-peen hammer against a steel block.

New retaining wall and flower bed for spring.

This first photo is through my rainy window looking out over my new flower bed. The pineapple express brought a warm drizzle from hawaii that pleasantly soaked my new plants... The only downside was some high winds. The second photo is along my street, you can see one of my Hellebores knocked down by the wind... it's up on stakes now.

This next pair of photos are of the view looking at my house and along my side street. You can see that the retaining wall isn't all that (but it's not bearing a load so much as edging the lawn and keeping the two zones from intruding on each other. I also put some soil down in to a low spot on my lawn that I may have to reseed if the grass doesn't push through. My next big yard project (aside from trying to compost the blocks of sod I cut out) is to rebuild the trellis in front using taller 4x4 posts anchored to the concrete.

Here's one of my mugs in action!

My friend Sebastian (aka Sebadiah) is a big fan of yerba matte so I made him a mug and this is a sequence of shots of his matte setup. Note the awesome silver filter straw.

From Craft Photos

From Craft Photos

From Craft Photos

From Craft Photos